60 prompts for writers of hybrid pieces and lyric prose
The most delightful method for using these prompts is to print this document (.pdf), cut up the prompts, fold them, and drop them into a jar. Then draw one out each day and write. Here’s a blank page (.pdf), in case you’d like to add your own same-sized prompts to the jar.
1.
Write a piece using or moving through all five (six? seven?) senses.
2.
Create a piece with an interruption of some kind, or many. Maybe a person is interrupted by someone else, or by their own mind or body, or there is an outside interruptive force. Maybe it’s the story of a life interrupted, or a season, or it’s a conversation made up of many interruptions.
3.
Write 10-20 first lines with the intention of sparking the reader’s interest right away. Choose your favorite and expand it into a short piece.
4.
Pick a paint color name (from here or here or another source) and create something inspired by that word or phrase.
5.
Choose one of these to prompt your piece:
“When technology fails”
“Lost in translation”
“Missed connection”
6.
Write about measuring time with something not expressly intended for that purpose, like cracks in a floor, scuffs on a boot, or weeds in the flowerbed. Prompt via Submittable.
7.
Write a piece in reverse chronology. Inspiration: Lorrie Moore’s “How to Talk to Your Mother (Notes).”
8.
Weather: extreme weather, changes in weather, storms, how weather affects the moods of people and animals. Write a piece in which the actions or behaviors that unfold would have been different had the weather been different.
9.
Locate an item in your home or office that has overstayed its welcome. Write a eulogy for it: extolling its value, recalling any significant moments you two shared. Then, get rid of it. Prompt via Submittable.
10.
Do you believe in ghosts or spirits? Do/did your relatives, friends, or children? What about ghosts or haunting interests you? What places do you haunt, in person, in spirit, or in memory?
11.
Lists. Write your piece in the form of a list, or incorporate list-making in some other way, either in the piece’s creation process or final form. Perhaps be inspired by Sei Shonagon (.pdf) or Gretchen Legler.
12.
Record yourself telling a story to someone. Transcribe it exactly (likes included). Try formatting it with punctuation and without. Inspiration: Khadijah Queen. Prompt via Dennis James Sweeney.
13.
Select an item of packaging in your home, and use its language as the basis (or, better yet, the sole available vocabulary/word list) of your piece. This works with other found text, as well.
14.
Write in a sensual way about something not usually thought of as sensual.
15.
Write a joyful piece celebrating an aspect of your neighborhood and post it, anonymously, on a telephone pole or somewhere else public. You may want to write and post a few.
16.
Research your birthday or another significant date: What observances occur then? What happened in history? What were the stars and planets doing? Follow a thread you find interesting. Prompt via Submittable.
17.
Call someone and play a word association game for a few minutes, writing down all of your and their words. (Even better if you can audio record it so you aren’t slowed down by typing or writing, then transcribe the recording.) Later, circle a few words that catch your attention and write a piece incorporating those.
18.
Write your piece in the form of instructions or a “how to.”
19.
Use Wikipedia’s “Random Article” feature to find an odd tidbit that sparks an idea. Keep hitting “random” or use it once to get to a random page, then click a link on that page, and another on the resulting page, etc., until you find inspiration. You can also browse the “Did you know” and “On this day” sections of the homepage. Beware the rabbit hole! Set a time limit for this portion. Prompt via Latif Nasser.
20.
Using phrases relating to one subject or idea, write about another, pushing metaphor and simile as far as you can. For example, use science terms to write about childhood or philosophic language to describe a shirt. Prompt via Bernadette Mayer.
21.
Radical attention exercise: Choose one square inch of your surroundings and write for 15 minutes only about that inch. Stick to concrete observation. Now write about the same inch for another 15 minutes, but approach it from the poetic. What metaphors, images, or memories come to mind? Play with splicing together details from the two exercises.
22.
Ekphrastic time: Pick a piece of art and write whatever it inspires for you. (How about that new Mary Wollstonecraft statue, eh?) You can browse artsandculture.google.com for ideas, or visit your local museum’s website.
23.
Write a response (however direct or indirect) to a poem/essay/book/hybrid piece you love (or hate).
24.
Have a conversation with an object in your house or neighborhood, and transcribe or recount both sides of the conversation in your piece.
25.
Write five short beginnings and/or endings. Inspiration: Jenny Boully’s The Book of Beginnings and Endings.
26.
Write a diptych, a triptych, a tetraptych, or any kind of polyptych. (Interpret this prompt however you wish.)
27.
Play with repetition today. Play, today, with repetition.
28.
Write a piece in the form of a map, or that plays with map-ness in some way. Draw and write a map of an imaginary place, or of your childhood. Take an existing map and write on top of it. Write prose with no visual element, but the prose serves as a map for the reader. Inspiration: Remember the cryinginpublic.com map?
29.
Choose a vowel, and write a piece without using it. If that’s not working, try a consonant. Or use just letters in the first half of the alphabet. Some letter-based restriction.
30.
Incorporate myth in today’s piece. You could write from the perspective of a mythological figure, or create a new myth that represents your time and place, or explore your memories of urban myths you believed as a child, etc.
31.
Take a fourteen-block walk, writing one line per block to create a sonnet. Prompt via Bernadette Mayer.
32.
Write from a non-human perspective. (Animal, cyborg, plant, object, planet, idea, spirit, anything.) It could be productive to think about the concept of Umwelt and Thomas Nagel’s “What is it like to be a bat?”.
33.
Take an already-written work of your own and insert, at random or by choice, a paragraph or section from, for example, a psychology book or a seed catalogue. Then study the possibilities of rearranging this work or rewriting the “source.” Prompt via Bernadette Mayer.
34.
Write 30-50 titles, or as many as you can in a set time.
35.
Stare at your face in the mirror for 30 minutes or an hour, looking away as little as possible, recording your thoughts. Inspiration: Ruth Ozeki did it for three hours in The Face: A Time Code.
36.
Write a terrible piece. Just the worst, laziest, most cliched writing you’ve got.
37.
Skip the stone: Collect the moments something has appeared throughout your life—a gesture, an object, a weather phenomenon, an overheard phrase, a shirt, anything. Like, “6 lions I’ve seen,” or the times someone on the street has called you a bitch, or where you were each time you heard that Bill Withers song, etc.
38.
Take a powerful word and break it into different real and invented etymologies. Inspiration: Becca Rose Hall.
39.
Gather a bunch of objects into a still-life tableau. Write about it.
40.
Write a piece using only questions. Prompt via Bernadette Mayer.
41.
What is the meaning behind your name?
42.
Write an occasional piece for an important event happening in the life of someone you know or in your community this month.
43.
Explore the concept of pareidolia, our tendency to perceive patterns or recognizable images, especially faces, in random or accidental arrangements of shapes and lines. Where do you see patterns that aren’t there? Have you seen Jesus’ face on your toast? An alien face on Mars? Heard voices through radio static? Variant: write about superstition.
44.
Hold a séance, with others or by yourself, and transcribe what the spirits tell you.
45.
Take something short you’ve written and look up the etymological meanings of every word, including words like the and a. Study the histories of the words, then rewrite the work on the basis of this etymological information. Prompt via Bernadette Mayer.
46.
Write a one-sentence essay or story (then revise it and submit to Complete Sentence!).
47.
Write a piece that includes several versions or perspectives of an event.
48.
Write an enumeration. Inspirations in Orion and The Offing.
49.
Have someone read out loud to you while you write about something unrelated. Prompt inspired by Bernadette Mayer.
50.
Write a hermit crab essay in the form of a product review. Or, write a product review for something that’s not a product (e.g., loneliness). Inspiration: Stephanie King.
51.
Add words to a diagram, especially a widely-known one, as in this hand-washing graphic prompt from Alex Marzano-Lesnevich.
52.
Write a piece in the form of a letter. (It doesn’t have to be from you. It doesn’t have to be to a person.) After you’ve written it, experiment with deleting the greeting and sign-off.
53.
Write several tweet-sized pieces (280 characters or fewer). Choose the best, revise it, and—if you are on Twitter—tweet it with the hashtag #cnftweet. Creative Nonfiction magazine retweets their favorites as “Tiny Truths” and prints some in every issue.
54.
Write about a tight-knit/closed/niche group or culture with its own unique/specific language, social codes, and traditions. Examples: sorority, sport team, cult, competitive gaming, etc.
55.
Use one of these sight words lists for children learning to read and try to write a lyric piece using only, or mostly, these words.
56.
Take a draft of something you’ve written. Or, write a new account of something that happened to you. Number the lines or sentences. Use a random number generator (Google “random number generator” to get one) to reorder them in several different ways. What does this open up?
57.
Incorporate dialogue, idioms, lexicon, or other speech unique to the region you are from or live in now.
58.
Write a brief contrary essay arguing against a popular fallacy. (“Actions speak louder than words,” “It takes one to know one,” etc.). Prompt via Patrick Madden in The Rose Metal Press Field Guide to Writing Flash Nonfiction.
59.
Play with collective self, perhaps by writing from the first person or third person plural perspective. Allow no “I” in this piece.
60.
Browse photos in the National Archives (or your country’s equivalent) until you find one that catches your interest. Write a piece describing the photo (perhaps weaving in your own life), an ekphrastic inspired by the photo, or something only tangentially related that the photo makes you think of.